"Girls' Generation just set the bar truly high for pop in 2013" Billboard's "I Got a Boy" Review.
9:58 pm - 01/04/2013
Such a long time away from the scene could prove disastrous for any act in the constantly mutating K-pop world, with acts' popularity dependent on a constant stream of top-notch singles. Yet orea has proven the love for Girls' Generation (known as SNSD) is strong even without the ninesome promoting domestically together Their massively dedicated fanbase (named Sones) has kept them one of the top-tier groups in Kore as exhibited when sub-unit Girls' Generation TTS not only made history on the Billboard 200, but also found success on the competitive Korean music programs.
"I Got A Boy," their fourth full-length album, is a confident return home with polished K-pop confections that combine elements of foward-thinking EDM, classic and modern R&B, 80s new wave, and more. It should more than satisfy not only K-pop fans but also listeners of all types of popular music.
See what the ninesome has to offer this time with their first domestic release in fourteen months.
1. I Got A Boy
The girls' first Korean single since 2011 needed to be one that caught everyone's attention. boy s it."I Got A Boy" is not one sound polished and packaged for popular consumption (like past singles), but five completely different sounds stuffed for widespread music consumption. he track is created from: minimal drum and bass, funky and clunky electronic production, hyper hipster dubstep, dramatic vocal showcase sections, and what sounds like a xylophon Sounds messy? Somehow it isn't with the sounds constantly playing off and evolving with each other, complimenting the girls' knack harmonies, to create one of the most-forward thinking lead pop singles heard in any country. With this title track, Girls' Generation just set the bar truly high for pop in 2013.
2. Dancing Queen
"Dancing Queen" was considered for a Girls' Generation single years ago, nearly replacing their now iconic K-pop smash "Gee" (which at one point was the most-watched K-pop music video on YouTube pre-"Gangnam Style"). This remake of Duffy's "Mercy" acted as a pre-release to the new album with the track debuting at No. 4 (now at No. 2) on the K-Pop Hot 10 not many groups could take a five-year old leftover and land a hit. But releasing this nostalgic, cutesy K-pop track worked nicely as a precursor to throw off the confident sounds of "I Got A Boy." l played, SNSD.
3. Baby Maybe
This harp-centered mid-tempo should end up being a Sone favorite. e can imagine the girls and fans grooving along with their layered harmonies on the chorus with the fanbase undoubtedly following the hook's commandment to "put your hands up if you feel like this." While the song's lyrics actually tell the story of disbelief that one is in lov one can imagine Sones relating the affection towards the nine singers and really showing their love when this is performed in concert. The a cappella/clap section at the end seals the sentiment with a sample of an audience giving a huge applause.
4. Talk Talk
An aggressive, grinding electronic beat kicks off this track before leading into the sexy and sweet chorus that recalls a funky 90s pop styling. irst listen, "Talk" is somewhat unremarkable, but ultimately the "Let's talk talk about, talk talk about it boy" hook is an undeniable earwo Another enjoyable slice of electronic-pop from the ladi Fans of this track can find a Japanese version on their second album in the country with the title "boomerang"
5. Promise
"Promise" is a catchy ballad with a nice 90s R&B groove that will probably bore the heck out of non-Korean speaking listeners. ould they take the time to translate the lyrics, listeners would find lines both serious (about an indescribable pain through their body) and cute (a pinky swear "promise to you" The girls sound great on the chorus together, but the composition falls short compared to their too similar-sounding Japanese ballad single "All My Love Is For You".
6. Express 999
If Girls' Generation played their comeback single safe with a mainstream morsel of K-pop, "Express 999" would have been an appropriate choice. he track is composed of a sporadic electronic beat with strong 80s new wave influences with its highlight in the synthesizer-heavy build-up that sounds like Skrillex stuck on an 80s kick A standout on first listen.
7. Lost In Love
Drake and Kelly Rowland have crafted R&B smashes with their minimalist R&B productions courtesy of the likes of Noah "40" Shebib and Jim Jonsin. Girls' Generation take the same slant but add in a piano and synthy backing to give it balance of mainstream pop with that modern R&B. The result is the most interesting ballad on the album, though not as catchy as "Baby Maybe" nor "Promise."Leader Taeyon's impressive vocals particularly shine on this track.
8. Look At Me
"Look At Me" is the most-urban leaning of the tracks, kicking off with a tribal beat that sounds like a Bangladesh creation. t takes listeners on a sonic ride jumping from aggressive rapping to an energetic, catchy chorus. he track recall the same noncomformity similar to their quirky Japanese single "Flower Power".
9. XYZ
Right away the listener is drawn in to th electro-rock production hat could pass as a modern update to Marylin Manson's "The Beautiful People." The metaphor of saying their love is far away like points "ABC" to "XYZ" is a little far fetched, but it makes for a ute rhyme said to be written by members Yuri and Seohyun. With a typical song structure, it's another futuristic, pop offering that could have been a successful, but safe, comeback single.
10. Romantic St.
Fans were undoubtedly thrown off when thi swing-inspired track as used in one of the music video teasers for "I Got A Boy". It didn't sound like any other Girls' Generation single, but does fit nicely on the girls. ike "Dancing Queen," the album's closer has an old school feel, but this shows a much softer side of the nine. With lighter vocals and production, it sounds like a Korean version of "Singin' In The Rain." A nice end to the album that shows listeners that Girls' Generation can shock and delight with their ability to successfully tackle an array of genres no matter how many they try to fit in a song.
Source Billboard
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that description of Baby Maybe is so cheesy lmao.
I'm loving IGAB <3 and enjoying the full album! yfyt.

Sounds messy? Somehow it isn't with the sounds constantly playing off and evolving with each other, complimenting the girls' knack harmonies, to create one of the most-forward thinking lead pop singles heard in any country. With this title track, Girls' Generation just set the bar truly high for pop in 2013.
WHERE.
Meanwhile my Queens stay 'Gone With the Wind' fabulous <3333
NVM fixed it already.
Edited at 2013-01-05 05:27 am (UTC)
And that's good haha
Edited at 2013-01-05 05:29 am (UTC)
I don't understand what they are saying here.
dats a lie that doesn't even make sense
What are they trying to say tho? Because I don't want different songs 'stuffed' together when I consume music... wait,what am I even saying.
"Sounds messy? Somehow it isn't with the sounds constantly playing off and evolving with each other, complimenting the girls' knack harmonies"
um yes it sounds messy cause it is messy as fuck and what harmonies lmao? idg why billboard is kissing ass rn bc thats what it seems like but i think this album, especially the title track, were a complete mess and generic and thats because SM knows he can release an album of the girls bumping the alphabet and it'll be a hit.
i would've stopped buying their shit a long time ago if i was a fan so that maybe the company would realize im not gonna pay u to give me shitty "music"
i never buy cds anyway but i had thought abt paying for this for the photobooks but no plus that's what the internet's for
...
but also this review sounds like it's kissing ass.
mte
people seriously, wtf is the difference between Talk Talk and krn Boomerang? T___T
yea OP, the text is a bit of a mess but that's mainly cuz lj is fucking up often now. it's not your fault!
but what is this ass-kissing bullshit?
This is gushing praise for an okay album. Not an amazing album, not a bad one either, just okay. And to describe IGAB as forward thinking... Yeah, no. It isn't really. It sounds unique thanks to the "girl talk" idea, but the lyrics are nothing new or revolutionary. They're about a naive, needy girl who's hopelessly in love with her shining prince, who changed her whole style to get with him and has no confidence that he'll love her just as she is. It's like a continuation of Oh!, told from several perspectives all focused on the same girl.
If SM really wanted to take risks with SNSD and be forward thinking, they would've picked a song with a meaning that matched the concept. They would've given up this childish, innocent image for good.
Even though I'm not a fan I listen to the whole album and I didn't get anything tbh
IGAB (song) doesn't sound like a GG song to me and the rest of the album wasn't really memorable
I liked Express 999 but I wouldn't listen to it on replay tbh
As for the "good luck to everyone" I read on allkpop I don't really understand it.
GG is a big name so they'll probably overshadow most bands but that release itself is really not a threat to anyone. It's not a bad one but not a great one, it was average imo.
Somehow what makes it look bad (when it's just average) is that lots of people expected more and thus are disappointed.
Edited at 2013-01-05 10:23 am (UTC)
honestly genie is probably the highlight of snsd's career the rest is pretty much crap. if you compare igab with wondergirls last full album wonderworld (which was absolutely amazing) just shows the difference in development between the groups who debuted at the same time.