11:56 pm - 06/29/2012

A Hypothesis on the U-Kiss Conundrum and the “Nugu” Idol

With a debut date harkening back to 2008, U-Kiss‘ comparative lack of commercial success for the past four years finally has people asking questions. With 2008-debut boy groups like SHINee, 2AM, and 2PM so far ahead in the K-pop idol race, U-Kiss’ stagnation in popularity and influence is puzzling.

Earlier this year I wrote a piece arguing in favor of giving U-Kiss a second chance, noting the group’s rise in quality with Bran New Kiss and the potential for greater improvement in the future. U-Kiss has released two full-length albums and two-mini albums since Bran New Kiss, boasting music that should have been good enough to make a significant dent on the K-pop scene. The effort to grow U-Kiss into a respectable, high-quality group has been obvious, time and time again.

But despite these efforts, U-Kiss hasn’t moved much further from where they were several years ago. Sure, U-Kiss has since begun and upheld a stable career in the Japanese market, and they have a few international performance credits to their name — the group traveled to Colombia and Cambodia recently, making them some of the first Korean artists to hold events in either of those countries. But it hasn’t been enough to propel U-Kiss to the upper tiers of K-pop where their same-aged peers reside.


Don’t get me wrong, it’s great that U-Kiss has been able to meet with their fans in Colombia and Cambodia, but holding a fanmeeting in Phnom Penh just doesn’t have the same star-studded quality or pizzazz that comes with holding a showcase in London’s Abbey Road Studios (a la SHINee) or filming official Korea tourism campaigns broadcasted on television stations throughout Asia (a la 2PM). In addition, the U-Kiss members haven’t had enough network television airtime on big-name variety shows, and the cable television programs they’ve hosted (Chef Kiss, U-Kiss Vampire) haven’t picked up much of a following outside of the U-Kiss fandom. Indeed, it seems as if the main thing keeping U-Kiss afloat is their small but passionate fanbase. But besides that (and their consistently good music and music videos and, to some extent, live performances), U-Kiss has not maintained enough of a presence in the industry to keep themselves relevant.

By all logic, U-Kiss shouldn’t have survived for this long. Out of all the boy groups that debuted in 2008 under an “unknown” company, U-Kiss is the only survivor. Groups debuting under unknown companies in 2009 and 2010 also seemed to disappear within a year or two. With the exception of U-Kiss, there hasn’t been another group under the management of a small, unknown company who has managed to exist along the mainstream K-pop fold for so long. Nearly all of the current sunbae groups hail from larger entertainment companies, whereas most of the rookie groups are from small companies with odious sounding two-initial names.

U-Kiss is the only active group currently under NH Media (since it seems NH is intent on using Paran as a resource for spare parts) , and it would be safe to assume that the vast majority of resources has gone towards funding U-Kiss. This explains the consistent high quality of U-Kiss’ material in the past two years, as well as U-Kiss’ numerous cable television appearances, sporadically planned overseas visits, and a surprising hookup deal with Avex in Japan. But as a small company, NH Media lacks the amount of industry influence that SM, JYP, and YG have. Granted, a lot of this probably has to do with the fact that the Big Three have been around for a lot longer than NH Media, and have had a lot more time to network and build up good relationships throughout the broadcast and creative media spheres. And having heavy influence over an entire industry is, obviously, a very big deal — it affects the shows your idols go on, the amount of camera time your idols get, the PDs your idols work with, the products your idols endorse. This invariably translates into the amount of fans in your idols’ fanbase, the amount and spread of public recognition your idols receive, the amount of international recognition your idols have, et cetera, et cetera, et cetera.

U-Kiss is branded as the same type of idol group as their counterparts signed to the Big Three, and U-Kiss often produces higher quality material than that of these bigger-name idol groups. In other words, U-Kiss is playing the exact same game as SHINee, 2PM, and any other group with four candles on its anniversary cake. In fact, there are plenty of times where U-Kiss is playing the game better, especially when it comes to the quality of their material. But the only thing that separates U-Kiss from these big-name idols is the fact that they’re signed to a company with limited industry influence and a comparatively teensy reputation.

This is relevant in light of the recent surge of rookie groups — or more specifically, the recent surge of rookie groups debuting under unknown companies. These “nugu” (literally, “who” in Korean) groups range from the noteworthy (e.g. Sistar) to the barely relevant (e.g. Nine Muses). But while groups like Sistar, Teen Top, Secret, and ZE:A seem to be some of the biggest K-pop groups of the moment, they’ve also only been around for less than two years, and the relative newness of these groups makes it very difficult to predict their future success.

Of course, one can’t ignore the fact that there are some extraordinarily talented people nested in these “nugu” groups, and it just doesn’t make any logical sense to say that Hyorin of Sistar is almost guaranteed a shorter career than Sohee of Wonder Girls just because Sohee is signed to JYP Entertainment and Hyorin is signed to Starship Entertainment. But this just goes to show how important a company’s industry influence is in order for the artists under their label (and, at times, the company itself) to survive. In the end, the mystery behind U-Kiss’ lack of success boils down to the simple equation of power, wealth, and influence.

As the K-pop phenomenon reaches an increasingly global audience and becomes faster paced with the widespread integration of social media and the Internet, the word “K-pop” itself has begun to develop a separate definition, deviating from its original meaning as an abbreviated form of the term “Korean pop [culture].” The word “K-pop” as it currently stands seems to place more of an emphasis on the fast-paced consumption of “idols” and and less on the musical and cultural legacy of “Korean pop artists” (when “idols” and “Korean pop artists” are, in fact, one and the same).This can easily be personified by the increasing popularity of the mini-album format and the scarcity of the full-album. In a way, this captures the essence of pop music: fast, easily digestible fluff in a pretty packaging with an expiration date two years from now. It makes sense that smaller companies with limited access to resources and connections would be more inclined to create a product that fits the definition of “K-pop” as it currently stands — a group with pretty faces, appealing personalities, catchy songs, and a high potential of making fast cash.

It has become the unspoken expectation for groups like F.Cuz, Dal Shabet, Boyfriend, and Girl’s Day to patter out into irrelevancy within a few years, because let’s be honest: is there anyone who seriously sees Boyfriend selling out concert arenas throughout Asia and winning all-kills on music shows three years from now? The U-Kiss of 2008 is very similar to the “nugu” idol groups of 2012, and one wonders exactly which of these groups will disappear from the scene within a few years. At the same time, it’s also interesting to think about which groups will manage to stick around for a few more years and, like U-Kiss, take on that horribly awkward role of “underappreciated sunbae” while all the rookies from the Big Three are sprinting ahead.

Despite their comparative lack in popularity and commercial success, U-Kiss has put out a lot of good music and has earned a loyal fan following. But despite this, it’s a little hard to look at U-Kiss and not see a group that’s fighting a losing battle against the system. U-Kiss has released some of the best material to come out of K-pop this year; I haven’t met a single person who’s listened to U-Kiss’ recent music and disliked it. But the real problem rests with the gap between those who have made an effort to listen to U-Kiss’ music and those who haven’t. Unlike big entertainment companies, U-Kiss’ management isn’t strong enough to shove U-Kiss’ music into every nook and cranny of the Korean entertainment scene in order to give it the amount of public exposure needed to propel U-Kiss into the higher echelons of the Korean pop scene. Many of these smaller entertainment companies are now struggling with the same problem, which might offer an explanation as to why so many of the latest K-pop singles sound like poor attempts at being catchy earworms. Of course, the constant influx of new rookie groups with catchy material helps to keep the K-pop scene fresh and fun. But at the same time, it reminds us of the inherently time-restricted and dog-eat-dog nature of K-pop.


source: seoulbeats
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taylorniw 29th-Jun-2012 10:27 pm (UTC)
I've always assumed they're still around because they're selling well enough to make a profit. Their sales aren't great, but they're not AWFUL.
toomanysides 29th-Jun-2012 10:43 pm (UTC)
Their sales are pretty terrible but I always thought it was Dongho that kept UKISS afloat.
tokadah 29th-Jun-2012 10:30 pm (UTC)
speaking of SHINee-whether it may be fansigns, fanmeets, or just a performance... they've been to Cambodia way before U-Kiss. lol
liferule91 29th-Jun-2012 10:32 pm (UTC)
haven't read yet but i just wanna say that Brand New Kiss was flawless and had they kept coming with music like that they would have gone somewhere
tsuyoi_hikari 30th-Jun-2012 12:08 am (UTC)
Bran New Kiss was flawless but Neverland was better tbh -- in term of music & variety. But their Japanese releases are what makes them special since it is really good.
deerlike 29th-Jun-2012 10:36 pm (UTC)
Umm, Secret's been around since 2009. They debuted at the same time as Beast and MBLAQ.
drfaith101 29th-Jun-2012 10:38 pm (UTC)
Didnt know UKISS was that old tbqh
hugtimes 29th-Jun-2012 10:42 pm (UTC)
i didn't realise that omona posted stuff from seoulbeats :/
janri 29th-Jun-2012 10:45 pm (UTC)
It's sad but true. When it comes down to actual vocal ability and music quality U-KISS blows the current artists in the big three away. I think Soohyun, Hoon, and Kevin could out-sing every single group out there.
tsuyoi_hikari 30th-Jun-2012 12:30 am (UTC)
I agree.

U-KISS' vocalists are pretty outstanding -- I like the fact that Soohyun & Kevin's voices barely change despite all the hard dancing in their chereos. And I also like the fact I will not feel scared that their voices will break due to all the high notes in their live performances. :D
liferule91 29th-Jun-2012 10:48 pm (UTC)
lmfao mega pause
in_noctem 29th-Jun-2012 10:47 pm (UTC)
Of all the groups they could have picked, they chose to include ZE:A as one of the biggest kpop groups of the moment?
st_jemmy 29th-Jun-2012 10:49 pm (UTC)
very interesting article. a lot of this does make sense to me. from the newer albums, bran new kiss has been the best so far. especially the doradora album has been a huge disappointment to me because of it's obvious attempts to sound catchy and follow the current trends within kpop. it's a crying shame that after all these years, u-kiss has not found a stable position within the kpop industry, always pending between the neither-nor. i must say though, u-kiss has a very wide popularity outside of korea, and it is in my opinion their trump card, so nhk should definitely continue focusing on oversea activities as well.
falling_empress 30th-Jun-2012 02:06 am (UTC)
I agree, I didn't like Doradora at all...it felt like a bad Infinite rip-off, and tbh they're not infinite come on now. I really liked Neverland. Idk they should focus overseas; if Korea doesn't want them, we'll take 'em.
hipployta 29th-Jun-2012 10:50 pm (UTC)
I was going to throw shade at ZE:A but between Kwanghee and Siwan they get endorsementdeals and Kwangee always has some variety show.

On Seoulbeats I said UKiss seem like nice boys but...yeah...Dongho keeping them alive. I liked them on Pops in Seoul. They even had a reality show about their lack of popularity though...

Edited at 2012-06-29 10:55 pm (UTC)
flumpool_shinee 29th-Jun-2012 11:00 pm (UTC)
They even had a reality show about their lack of popularity though...

lmao
mighty_romance 29th-Jun-2012 10:57 pm (UTC)
LOL /basking in all of this glorious shade directed @ all of these irrelevant nugu groups
akaich0u 29th-Jun-2012 11:06 pm (UTC)
Seoulbeats is a sanctimonious, trifling POS and per usual this 'article' doesn't do anything but point out the obvious.

I'm not even a U-Kiss fan but I hope they hang in there. Winning isn't everything.
iamtheliquorr 29th-Jun-2012 11:14 pm (UTC)
mte
gundae 29th-Jun-2012 11:12 pm (UTC)
nothing I didn't already know
this article would have been better without the rating of which band is nugu and which is relevant.
miracle_candle 30th-Jun-2012 03:49 am (UTC)
mte
sergel02 29th-Jun-2012 11:18 pm (UTC)
lol Nine Muses is more relevant than ZE:A at the moment, as a whole.

Interesting editorial with some decent points. And some not so decent ones. Seoulbeats for ya.

"U-Kiss has released some of the best material to come out of K-pop this year; I haven’t met a single person who’s listened to U-Kiss’ recent music and disliked it."

You obviously haven't met me Patricia.
I suppose one issue may be that their songs sound like the catchy electronic songs they've always done. But everyone else also does them. U-kiss' style has stayed somewhat the same overall, with some deviations like 0330, which is also when they gained lots of fans.

I do think lack of promos is another reasons. And styling. Well for me, i always hate the clothes in their videos which makes it just harder to watch. Doesn't make me dislike the song, but puts me off from the video.

Still, they've lasted this long. I think they got some nice staying power.

Edited at 2012-06-29 11:19 pm (UTC)
archaenon 29th-Jun-2012 11:36 pm (UTC)
Nine Muses are flawless imo. Playboy and ladies was some great times for live perfs for them. I hope they continue on tbh.
the_erotomanic 29th-Jun-2012 11:18 pm (UTC)
they should focus on going on more korean tv/variety shows (non-cable stuff). get their main singers in immortal song 2. and if possible put them in dramas that have at least a big name attached to it.

their overseas performances are what's keeping them afloat, imo. so that's something they'll have to constantly do.

they should just promote a ballad song. something really sappy. they have the vocals to pull it off. and they could add in some raps just to utilize their other members.
iamtheliquorr 29th-Jun-2012 11:22 pm (UTC)
my body is so ready for soohyunf on IS2 tbh
iamtheliquorr 29th-Jun-2012 11:20 pm (UTC)
thisisbrandnewinformation.gif

also I think this author has mistaken ze:a for infinite

that is the only way that sentence makes any sense
tsuyoi_hikari 30th-Jun-2012 12:02 am (UTC)
haha yeah... I think they have mistaken ZE:A for Infinite.

IMO, I think Infinite is the only group from unknown&small company that managed to make it big. I could be wrong though..
miszmba 29th-Jun-2012 11:27 pm (UTC)
I do like u-kiss and they have had some decent title tracks but idk, they just don't have that appeal as a group.
aeries_amethyst 30th-Jun-2012 12:19 am (UTC)
basically this, i mean i like them but i just do not find them all that appealing =/


sweetemerald513 29th-Jun-2012 11:30 pm (UTC)
I always feel so bad for U-Kiss =/
yolleh 29th-Jun-2012 11:31 pm (UTC)
After u-kiss and their management broke my frail fangirl heart multiple times, I became a lot more weary in stanning nugus from small companies.
It's just too much to take.

That being said, Break Time will be the most underrated mini in the history of kpop.
breathless31 30th-Jun-2012 12:05 am (UTC)
ia with all of this
archaenon 29th-Jun-2012 11:35 pm (UTC)
I love UKISS to bits, and think they have progressed quite well compared to other groups that have outpaced them imo.

I've managed to attribute to thier sales too, despite not being able to pick up some stuff.

I also think they've managed to do in Japan what a lot of other groups can't seem to figure out, no one wants your repackaged songs in botched Japanese, they managed to break into the market with good new songs that were really tailored for that market.

As far as I'm concerned they are doing great, and continue to get better.

/obviously biased/
lee_chikin 30th-Jun-2012 12:46 pm (UTC)
Yes, Japan!
I liked the way they handled themselves in Japan (creys because Kibum in Japan was incredibly cute ;___;) with their original singles.
mycorrhizoid 29th-Jun-2012 11:40 pm (UTC)
Out of all the boy groups that debuted in 2008 under an “unknown” company, U-Kiss is the only survivor.

Lies. SMASH is still around too, even if they're better known in Japan and their last Korean comeback was repetitive and autotuned.

I want H.A.M. back now.
sayhitoforever 30th-Jun-2012 03:28 am (UTC)
Get over your sorrow!

Now!
jasmineakaiumi 29th-Jun-2012 11:52 pm (UTC)
I haven’t met a single person who’s listened to U-Kiss’ recent music and disliked it

Let's talk.

On a serious note, I went to Lotte World to see Dalmatian at a joint show with UKISS last weekend and was worried about going late because of the KISSME'S. Upon showing up 3 hours before the show...........it was almost empty.
ginevragirl 30th-Jun-2012 12:59 am (UTC)
...oh that's sad. D:
tsuyoi_hikari 29th-Jun-2012 11:52 pm (UTC)
A very good article that I've read on U-KISS for a while. It's pointing out the truth & the obvious though the ZE:A reference is pretty questionable. I think all people already know by now the reason behind U-KISS' lack of popularity in Korea. Despite coming out with one of the best songs/chereos in the industry, Korea public basically didn't give them a chance AT ALL due to the fact that they're from an unknown company -- it's all come down to power & influence in the end. I still think the prejudice to their mixed members are part of the reasons too.

'U-Kiss is branded as the same type of idol group as their counterparts signed to the Big Three, and U-Kiss often produces higher quality material than that of these bigger-name idol groups. In other words, U-Kiss is playing the exact same game as SHINee, 2PM, and any other group with four candles on its anniversary cake. In fact, there are plenty of times where U-Kiss is playing the game better, especially when it comes to the quality of their material. But the only thing that separates U-Kiss from these big-name idols is the fact that they’re signed to a company with limited industry influence and a comparatively teensy reputation.'

Best paragraph of the article of the tbh. I always feel that U-KISS always come out with good material (Infinite too) together with better performance that's why it frustated me to no end how some people couldn't see that/ give them recognition/ at least give them a second chance. :/
ginevragirl 30th-Jun-2012 01:00 am (UTC)
There's newer groups that came out of unknown companies though, and they're doing well, some of them better than UKISS. So did the Korean public change their mind on unknown companies when so many popped up...?
scubajr 29th-Jun-2012 11:53 pm (UTC)
I like U-KISS and it's a shame they aren't doing as well as they should. I'm afraid that if they don't win something soon, their company will give up on them.
tsuyoi_hikari 30th-Jun-2012 12:20 am (UTC)
No, I don't think the company will give up on them esp at this moment. They're doing pretty good at Japan -- coming out with quality songs and they have added 9 new shows for their 'A Shared Dream' tour. Plus, they have pretty big fanbase worldwide. It just that, they are basically unknown in Korea haha!
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